Now that the month has drawn to a close, it’s time to do a quick recap of what’s left for this patch, especially what we want to add to frontline (which is out already, by the way!!) and what we’ll save for stable – so it was high time for another meeting!

One of the things we’ve been talking about has been the boss drops. Right now only a few early bosses have boss drops, which aren’t even dropped 100% of the time, which is a bit weird even now that we’ve added boss rebattles in the arena. We had two options for this – either remove the boss drops altogether or let the boss drops be at 100% and add some more to other bosses across the game. In this case, we decided to go with the later, adding a bunch of new boss drops, including a seed allowing you to grow a Power Flower inside your house, an evil eye mask dropped from the evil eye in the ghost ship, a thorn worm cap allowing you to wear thorns on your head, and a cog shield dropped from the toy machine in Seasonne!

The Power Flower Seed brings us to the next topic, which is a plant system where you can plant seeds and have them grow in your home! How this will work is that you’ll find a seed, dropped from various plant enemies, and if you take the seed to the tree in Seasonne he’ll put it in a pot for you, which you can then place in your house. After some time, the seed will turn into a full grown potted version of the enemy you got the seed from. While this completed system won’t make it into this frontline update, we’ll start it up at the very least.

For the stable update, we’ll be adding Penn Wrythe’s novels, which will appear throughout the game in parts. After meeting her in Port Monnaie you’ll get to influence the way the final part of the story turns out, so think about your answers carefully! We’ll also be adding the cellar beneath the church in Port Monnaie, as well as a bunch of old books here and there across the game.

We discussed whether to add the player scaling feature yet or not, but we’ve decided to save that for another update – possibly the one after this one, where we go back to focusing more on Arcade Mode again.

Now, time for some last minute additions, starting with the final arena award, the arena hat:

Adding some backgrounds for Bishop in the journal, as well as a background for your character when they’re in Bishop’s own little realm:

Here’s something that won’t appear in this next patch, but is important to start working on anyway, namely our continued rework of the menu! In this step you’ll see me making a new layout where we’re removing the text titles of each inventory category and replacing them with icons (although the actual icons haven’t been made yet):

And as an additional bonus, a sneak peek of what Maracus Skill-to-Talent transmute looks like, complete with the awesome song made by our amazing music creator Andrew Riley of Lucky Lion Studios! Look at the old man go :3

Since we decided to make a bunch of new boss drops as well, I better get to work making those! Here’s a Power Flower seed, an Evil Eye Mask, and a Thorn Worm cap:

I also went ahead and made the drop appearance of the power flower seed all grown up for its place in the housing system, although you won’t be able to use it just yet (next update, maybe!)

Finally I was a bit cheeky and made my own suggestion for what the Toy Factory’s shield drop could look like, although it’ll most likely be edited and adjusted a bit by Fred:

And finally, here’s a little early sneak peek of three new collectors that will appear in the collector’s HQ or around the world, featuring a few more veterans, since we felt like the collectors all seemed awfully young:

Now go forth dear friends and try out the new patch over on the frontline beta! Among the new stuff is:

* Three big but optional side “quests”/objectives has been added, you can find them in the lost ship, Pillar Mountains and Mt Bloom respectively

* You can now refight all bosses in the arena, which has been improved in terms of UI and has a few more challenges as well

* A new load screen and splash screen for everyone who has been working on the game; the game should also load more quickly

* More bosses have drops (if you’ve killed them already you have been awarded the drops retroactively as all boss drops are now at 100%)

* Talent orbs can now be transformed into silver skill points and the other way around in the HQ

You can read the full patch notes over at the forums! And as always, all feedback is appreciated, please continue to help us make this game the best it can be, we value each and every one of your comments <3

Now, with this patch out and about, we’ll be taking a little belated easter holiday, since we haven’t had any off time for a while! The blog will be back as usual on April 26th, after we’ve had a full week back at the office with new content to recap for you guys :)

Today we’ve had a meeting talking about various improvements for the game as a whole. One such thing we’ve been meaning to add for a while is a proper loading screen before the game starts up: on some computers the game can take a little bit to start (we’re working on making this quicker as well!) and so it’s really nice to be able to get confirmation that you actually pressed the button in the first place.

As such, we’ve decided to add a little splash screen followed by the customary Pixel Ferrets logo (as well as our sound design teams logos) before a (hopefully) short load screen will appear until the game has properly loaded. Adding the splash picture and the logos should give the game most of the time it needs to start up everything it needs, so adding those will likely come with the added benefit of the game feeling like it’s starting up a bit quicker than it actually does as well (haha..)

We’ve also made the decision to upgrade some more menus: you already saw our work on the Trophies menu redesign last week, and we’ll continue to work on giving most of the in-game menus an upgraded look that fits better with the game’s overall aesthetic as well as work better overall – some just haven’t been streamlined enough, or have issues with the game’s various translations. More on that later!

Another thing we’ve been discussing but won’t be added until later on, if at all, is lobby systems, where you can host your game in a public listing, allowing strangers to join you from the game menu itself. While this is a neat feature for players who don’t have friends playing the game and who do not want to join a community in finding players in a similar ping distance, we feel like people are managing just fine for now and that adding it would be better left to after release, if it’s even needed then. We’ll see!

Now, let’s start work on some of the smaller menu improvements. In this post, I’ll mainly be looking at adding some flavour to the box on the left, where you can read a description of the part of the menu you’re currently in. With this new addition, you’ll get a more proper headline than the one in use right now, which is just more of the same boring white text.

We’re also adding a reward box to the trophies menu on the info box to the right, where you can easily see what you’ll get for finishing up the achievement in question. While this wasn’t totally needed, we felt it’s nice for people to be able to know the reward, so they can decide if they wanna pursue a specific trophy over the rest.

In that same box, we’re also adding another proper headline – although we’re not entirely sure it’ll look in this exact way yet, since it takes up a lot of space and we might need all we can get in order to fit the lengthier descriptions.

As a bonus, while I’m in the world of interface, here’s a little GIF featuring a battle indicator used for Bishop’s boss battle:

Okay, so time for us to take a look at that loading screen I mentioned previously! First of all, here we have the splash art that will appear before anything else. This won’t have the ‘windowed’ look, but will simply appear for a short while before the actual game window pops up:

Once the game window starts, you’ll be greeted with the familiar Pixel Ferrets logo, as mentioned before:

Followed by the three teams that have helped us bring the world of Grindea together in terms of sound effects and music:

Once that is out of the way, you’ll be greeted with the actual load screen. It’ll start like this, completely covered in clouds, but once the game finishes loading, the clouds will part ways and the pre-game menu will be revealed. To the left in this load screen, we’ll also have a random backer’s names show up as thanks for helping us get this far:

A gif showing how it all plays out once the actual game window starts can be seen here (although my computer already properly loaded the game, so there’s not much of a load screen going on here haha):

Now, some of these things are a bit placeholder-y, one of them being the fonts and overall design of the texts used. For example, I’m not too fond of the readability in the sound design teams part of the load screen, with it being on two rows and a bit hard to read overall:

So I made a couple suggestions making it look a bit more streamlined and less in your face:

For the cloudy load screen part, there was a bit of a font issue as well. Here’s what it looked like before:

And here are some suggested improvements, with this first one being my personal favourite (although we haven’t made any final decisions regarding which one we’ll pick yet):

Finally, with this new load screen appearing, I felt like the old in-game load screen between areas look a bit lame (it was one of the very first things we added to the game, after all!) so I made a little mockup of what a new version could look like, tying back to the pre-game load screen we’re implementing right now:

The text on the left will be replaced by the usual gameplay tips, I just didn’t have them on hand so I picked a random rat fact for now! The idea is that the clouds will be floating slowly across the sky, with possibly the occasional bird flying across – although hopefully the game won’t load for so long between areas that you’ll have to spend any longer amounts of time looking at it haha!

Meanwhile, Fred is working on adding and animating some new NPCs, namely the priest and apprentice that will appear in the church in Port Monnaie, as well as giving Bokus the ability to read and turn the pages of his book:

Now, as I mentioned last week we’re doing a bit of an archery challenge in Arcade Mode, and as such I was tasked with making a mobile version of the archery challenge!

For now, this style will appear on each of the floors, but I have a crazy idea of making a special background and use different bush cutouts for each floor, if I manage to find the spare time for it!

Next up, some additions and changes to the transmutation GUI! For starters, the mechanic needed a proper ‘shop title’ splash, and a button for activating the transmutation service to begin with, as seen below:

We also decided to make a few changes to the UI itself, adding a couple of maracas, removing the title bar (it seemed unnecessary), and changing the colours of the gems in the interface to better represent the rest of the UI colours here.

And now, some mixed stuff, starting with some improvements on the readability of the shop title splash I just showed:

An open door in the HQ leading into said transmutation room:

And some of our progress on a different part of the game, namely the Bishop’s battle! Here you can see some more of our iteration process, ranging from climbing the pillar itself to how the encounter with Bishop himself evolved from the placeholder version to what’s currently in the game! If you look closely, you’ll see that the background has changed slightly from the previous finished version I showed some time back: we’ve moved the bushes slightly out of the way to make sure they don’t distract from the battle:

 

 

 

Next, back to story mode, as we’ve been working on a redesign for the trophies menu! As mentioned before, we’re gonna change the trophies themselves around a bit as well, and in doing so we’ll upgrade the whole look of this part of the menu to better match the other newer menus, basically by adding more and better graphics:

Finally we’re looking at a bunch of effects he’s been working on for the card cave, shown here as videos!

The first video shows our very first iteration of how the cavities in the wall light up depending on how many cards you’ve collected. The second video show what happens once you’ve collected all of the cards, revealing a secret catalyst, and in the third video we have adjusted the colour of the flames and added some bonus effects to when the cards merge together into the catalyst:

We’ve long been talking about revamping the challenges a bit, removing the long and slow paced ones and adding more quick and quirky challenges that you complete quickly, all with the intention of making them feel a bit more action packed. Now that we’re nearing completion of the upcoming story mode patch, it’s time to take a look at Arcade Mode, including these new challenge types!

To start off with, there will be two types of challenge rooms now – one where you’ll just solve strange challenges without risking any damage, and one for all the more dangerous challenges where you might accidentally take a hit – such as the kill in order challenge already implemented. Other ideas for these types of challenges include mini boss battles, kill quickly challenges, or take no damage challenges. Of course, due to the more dangerous nature of these challenges, it’ll be properly marked on the map so you know you’re risking your health if you enter – and also the reward will obviously be greater than in the ordinary challenge rooms!

For the regular challenge rooms meanwhile, we’re probably removing the bigger chicken challenges as well as fishing (but don’t quote me on that just yet). Some new ideas we have include:

An archery challenge, where you’ll spawn into a “fake”/prop version of Robin’s archery challenge from story mode, and you’ll have to hit enough targets or get a minimum amount of points.

A music challenge where you’ll have to mimic the order in which the musical faes from story mode play a song on a set of bells of your own.

And an animal taming challenge, where you’ll have to successfully tame a pet to get the reward!

…and we’re currently in the process of designing more! Do you have any cool challenge ideas you’d like to see in Arcade Mode? Let us know in the comments :)

Now, back to story mode for a little bit, as I make a bunch of adjustments to the Card Room in Mount Bloom, moving things around a bit and making more subtle frames for each of the cards:

In the end, we opted for an even more subtle frame (but don’t worry, it should look fancy enough once you’ve found some cards):

Now, back to Arcade Mode and its floating isle final room! In this next part I make a proper stand for the chest you’ll get for reaching this far:

And finally, the other floating isles in the distance:

Meanwhile, Fred’s been hard at work finishing up all of the animation sketches for Bishop and a couple new ones (including the one below where he brushes off some dust after you’ve successfully defeated him):

He’s also been working on a bunch of light effects for the Mount Bloom card room which we hope to show you within the upcoming couple weeks! Stay tuned for that… :)

The next floor we’ve been tackling has been the Tai Ming floor, which is all about returning to the past (unsurprisingly…) :)

You’ll enter into a large open space area, looking much like the ruined present version of Tai Ming, but smaller. A statue of ancient priestess Tessen in her boss form blocks the path leading to the next floor, although this version is edited to have slots for three emblems (oh dear).

You’ll travel back in time using a time rift, to a version of the map where any buildings are whole and it’s a nice village-y feel. There are NPCs from Tai Ming walking around this area, and talking to three of them will trigger you to travel to the present day where you’ll have to do a challenge of some sorts (battling various sets of enemies, most likely), after which the ghost of the NPC you talked to will appear and hand you their emblem.

Once you have collected all three emblems you can return to the present day version of the floor hand and insert them into the statue, after which it’ll come alive for an empowered version of the Priestess battle!

Now, just two floors left…. :)

Remember the skill point to talent orb transmuter from last week? Here’s his apprentice, a young boy called Bokus! He’ll hand around with his master in the HQ once they’ve been added to the game properly:

Next up, we’ve continued to work on sketches for what we’d like that final Arcade Mode room to look like. We’ve moved away from the idea of the church like structure, as that would imply you’ll be able to go inside it – which you won’t – but settled for having the final room set among the heavens, since you’ve, after all, climbed the way up there :)

Here’s a bunch of new designs for the portal that will take you back to Arcadia or on to more adventures, depending on your power level:

Our favourite this far is the first one (although technically, it was the last one I made) :) Our idea is that the gate will either be dark like in the sketch, or empty (as in, you’ll see the background on the other end), until you’ve opened the chest, after which a portal will appear within the gate, looking slightly different depending on whether it’s leading back to Arcadia or onwards :)

We’ve also been discussing the final tower interior and what it should look like, and as such I’ve been playing around with a bunch more sketches, where the amount of mirror material varies from barely any to full on “everything’s-a-mirror” mode.

Right now we’re kind of leaning more towards the ’emptier’ version, meaning little to no mirror decorations. What do you guys think? One of the reasons we prefer that is because we won’t be able to use a proper reflection for the character on mirrors that aren’t on the floor, which means the mirror effect won’t be too clear to begin with. Also, having a more ‘boring’ look means that once you break the tower’s spell and it reverts back to it’s normal version it should be a bigger difference compared to the magically transformed room you were just in.

Meanwhile, Fred’s been working on a bunch of Bishop animations, but what we’re going to show today is something a bit more exciting(?), the sprite for Maracas, the guy who will transform your silver point into talent orbs, or the other way around! Behold:

The next thing we’ve been discussing and designing for the final dungeon is the Flying Fortress floor. In the beginning we wanted this to be quite phase shift heavy, but as we though more about it we felt the essence of Flying Fortress is more about bullet hells, so we started leaning more towards that. However, we’ve had a ton a random ideas, among others a phase shift puzzle where you need to collect items within a certain time and a bullet hell with guardians that block parts of the room with their laser beams…

In the end however, we settled for three rooms (for now, this might change), first one of those corridor where a number of orbs pass through and you have to run left and right so you pass through the orbs in the slot where one of the orbs is missing – I’m not great at explaining this in words, but you’ve already passed through such a corridor in Flying Fortress already, and this one will be pretty much the same – although we have some ideas for beams and such to make it a bit more difficult and high paced.

The second room will have a number of small platforms, 4 or more, which will get hit by a ton of missiles. The goal in this room is to phase shift to the one platform that won’t get hit by missiles and as such avoid damage. Once the timer runs out you’ll be able to proceed to the final room…

…which is all about bosses, namely Phase man – and not only one, but two of them(!), ending with a little burst of Gun-D4m. We’re pretty excited about this combo and hope you will be too!

For Seasonne, we all felt like the core of the area is the Toy Factory, but we also wanted a little dash of the regular snow area, and an appearance of Marino, since he’s a pretty big character and having Amalet stolen from you after Flying Fortress is a pretty important part of the game, after all.

As such, you’ll begin this floor by appearing in a small Seasonne-esque area with the usual Seasonne enemies minding their own business. At the end of the area is the Toy Factory building, which you enter, and find yourself in a room with a locked door, a blocked path and a chest. In the chest is a key for the locked door, but before you have a chance to unlock it Marino appears and steals it from you, dashing through the blocked path, breaking the things that blocked your path before.

The next room will be one of two challenge rooms, but we haven’t yet decided which one of these it’ll be! In one, you think you’ll have to solve a block puzzle, only for each and every block and piece of it to come alive so you have to defeat it literally by force. The second would be a lot more like the room where you battle a ton of gift boxes, only with more kinds of gift boxes with new abilities!

After that, you’ll end up in a room with a conveyor belt where you’ll chase Marino for a bit before ending up in a room where you’ll battle him along with having to dodge falling bombs and trains, much like in the later rooms of the Toy Factory!

Next, time for some mixed stuff! Your mother’s grave in Startington, some new items made for an additional part of the ghost remembrance quest in the Ghost Ship, as well as an expression for the newly added ghost you’ll find there soon:

And here’s some more new stuff, featuring bigger versions of the catalysts, new backgrounds for the temple of seasons character and enemy codex, a new set of stairs in the Port Monnaie church, and a slight edit of the Startington grave:

Meanwhile, Fred’s been working on more Bishop stuff and some new player animations, one which can be seen here:

So last week our goal was to each come up with one or a few design ideas for the first floor in the final dungeon, after which we’d go through each of our suggestions and pick our favourites, building our dungeon one floor at a time.

As we mentioned, our guidelines were to remind people of the journey they’ve made throughout the game, bringing back “old classic” events and mechanics. Some of our ideas for the first floor, representing the very beginning of the game, ranged from battling your own sword and shield, a bullet hell with wooden swords, bees circulating around you and attacking you one by one, or an arena where you battle a block puzzle that comes alive.

In the end we decided to combine a few elements of the early parts of the game, namely the arena trials, finding your shield and sword to proceed and battling the Black Ferrets on the bridge. Our main idea is that you’ll start on a Pillar Mountains looking area (perhaps even a pillar), where you have to find your sword and shield by fishing and solving a block puzzle while the Arena commentator Mr Plott comments on what you’re doing, and you’ll only be able to proceed after handing your items to Grandpa Joe who blocks a bridge over which you’ll battle an ever increasing amount of Teddy & Freddy, culminating in a battle against Vilya herself before you’ll be able to progress to the second floor, a floor which will be centered around the Pumpkin Woods.

We also decided on some details around the dungeon. Previously, we’ve decided that the thing that turns the dungeon into what it is is an ancient artefact mirror, which transforms the tower into challenges to stop you from reaching the top. As such, we want to incorporate various mirror effects here and there (like for instance, Grandpa Joe shattering into glass pieces when you show him your sword and shield, enemies spawning by appearing through mirror glass and such). We also reiterated that we want the main focus for each floor to be something iconic to each part of the game, focusing on the story beats and ‘feel’ of certain areas.

Next up, the Pumpkin Woods floor! For the this we felt the key component was the curse of the woods, making you unable to progress, and the hunt for each of the items needed to clear the curse. To capture this, our idea is to create a set of rooms with a ‘lost woods’ feel where you’ll end up back in the first room by taking the ‘wrong’ exit, and having you battle five mini bosses in a room each.

The mini bosses we have in mind here are Pumpking and Helloweed from Arcade Mode, plus a similarly difficult mini boss based around Jack o’ Lantern which will also appear as an Arcade Mode floor boss later on! We’ll also design a challenge based around the Jumpkins and Ghostys.

For the Jumpkins this will most likely involve a living-vegetable like mayhem room with loads of jumpkins, while the Ghosty challenge idea we have so far is more about finding and defeating the correct one out of a bunch that will surround you – though our ideas here are still very much up in the air. For now, our main focus around this floor is the feel of having to cleanse the wood once more, this time by collecting the items from more difficult enemies than simple elites like you had to the first time around. We’ll dice into more specific design details once we get to this floor, our overall idea holds regardless of how we design the challenges.

Once you’ve defeated all of these mini bosses and collected their key item, you’ll be able to cleanse the curse with the aid of a Grindea statue, just like in the original Pumpkin Woods, complete with a minor appearance from Bishop; after that, it’s onto the next floor, featuring the Flying Fortress! :)

Now, you’ve seen a bunch of Bishop’s attack animations made by Fred, but now that we have a basic sketch for the arena, it’s time to start some prototyping of the fight!

At the moment, Bishop has three distinct attacks/patterns, but we have plans to add more as we go along. For now it’s a sword-throwing attack, a giant scythe attack and an attack where a bunch of Bishops emerge from the ground with spears:

We know Bishop disappears a bit into the dark background when he’s towards the top of the fight area, but we have plans on making him more visible by adding a shader that makes a subtle aura or outline around him when he’s against the dark parts. Other than that, what do you guys think so far?

In Arcade Mode, it’s high time we get a proper map through which you can track your progress! As such we’ve been talking about various ways to illustrate this, ending up with illustrating them as isles:

Now, the layout of these isles isn’t in it’s finished version here, the idea is that we want to illustrate how you move upwards a bit more, so we’ll play around with how we place the isles as we move on; and as such might change the design of these isles a bit as well.

On top of that, there are two more isles missing – that of the room where you get your reward for finishing Arcade Mode, and the bonus floor you get to only if you’re strong enough! These will only be added once they’ve been made in their proper forms in the game, though, so I know exactly how to design their isles.

In Fred’s department meanwhile, it’s all about Bishop and giving him more animations! Let’s have a look:

So we’re drawing ever nearer to that final dungeon, and now that we’ve had some time to think about it, we’ve discussed taking a different approach to it!

We’ve gone through several iterations already, although none of them have actually left the sketching board as of yet. At first we wanted the dungeon to have one floor representing each major area in the game, then we considered mixing various themes together and at some point we wanted fewer floors but more of a mishmash of everything…. The only thing we’ve really always agreed upon throughout all this has been that it shouldn’t be super long – often we feel like when players get close to the end of a game, there’s always a risk of getting fatigued and running out of steam just before the final boss, an effect that is often made worse by overly long and complex final dungeons and boss fights.

Our latest idea is to have several shorter floors – some or possibly most just a single room’s worth, and each floor will touch upon something you’ve seen or experienced in the game, but in a sort of strange way – imagine something like the creepy version of Startington, but decidedly less creepy and with more gameplay elements!

Our mission for this week game design wise will be to come up with a bunch of room ideas for the first stretch of the game, up until Flying Fortress, and present our ideas on Friday. Which events throughout the game do you find most iconic and would be something you’d expect to see represented in a dungeon like this? And how do you feel about the length of final dungeons? Do you expect a super long finale, or do you prefer it to be a little shorter?

Now, time for a bunch of mixed things: a bunk bed in Trick & Treat’s house, some new better looking graphics for some of the ambience box sounds, and a new item based on a backer’s request! :)

Another thing I’ve been working on recently has been sketching a couple of the last bunch of maps needed for Story Mode, one which is the room where your card collection is shown and which will grant you a special reward once you’ve collected all of them:

This room will be in Mount Bloom, in front of where the dragon carving on the floor used to be. In this initial sketch, it doesn’t look very mountain-y, but that will be remedied in the final version, which will probably look slightly different in the end, but the concept will remain the same: slots for cards on the wall, and some similar looking decorations across the room to make it look more interesting.

The other room I’ve been sketching has been the strange realm where you’ll battle Bishop! In the beginning we wanted this battle to take place in a surreal dream world governed by Grindea, but after some thought we changed our mind; while Grindea is light, we feel that Bishop is more of a dark creature, and having his battle be in a proper Bishop-y realm would be best.
As such, my design for the room is a bit more grim looking that our initial plan:

Again, it will likely look slightly different in the end, especially once the proper graphics are made, but you get the overall concept and colour scheme!

Time to start working on the background for the card cave! As you can see, the Mount Bloom mountain walls make it feel a lot more like a cave than in the sketch:

I haven’t made the slots for the cards yet, as they will need to be animated with glowing lights and such I thought it best to leave that up to Fred for now so the size of them will work out!

In Fred’s department, it’s been all about figuring out the look for one of the most important characters in the game that hasn’t yet appeared in the game in her physical form…. That is, of course, Grindea! She’ll appear as part of the ending, so we’ve been figuring out how to illustrate her form by having Fred make a ton of sketches!

Here you can see the progress of how it’s evolved:

Originally, we envisioned her as more of an ordinary character, but in the end we went for a bit more shapeless approach, and so these last two are our current favourites! What do you guys think?

Some more stuff we’ve been talking about recently is tying up a couple of the “semi-started” quests we’ve been foreshadowing around the world. One such thing is the Scarecrow quest – remember the scarecrow that talks about the purple garland in Pumpkin Woods? While we’re going to rewrite her(!) line a little bit, we will end up with a quest dealing with the curse of the pumpkin, while also solving another question mark of the world – the house on the little island in Evergrind City. We’ve decided to let there be a bridge there from the beginning, rather than you having to fix one, and inside will be a worried father talking about his missing daughter, who is a collector. At some point in the story, once you’ve progressed far enough or you’re strong enough, he will appear in the Collectors’ HQ asking for your assistance in finding his daughter; who, it turns out, has been cursed into a scarecrow!

Another thing you might have forgotten about (but we surely haven’t) is the grave up in Seasonne! The grave will be reached through a cave which we’re about to make as well, and which will give clues about the owner of the grave – a math genius who is depressed about his attempts at math caves not being as popular as his rival in Port Monnaie. There will be a different kind of math puzzle here as well, but the quest itself will be given after speaking to the ghost inhabiting the grave outside the little cave system.

We’re also going to (finally!) add the option to turn a couple rooms in the Temple of Seasons into spring, revealing a hidden room in one such room where you’ll get a trinket that has been in the game since pretty much forever, but which you haven’t been able to get yet because we never actually got around to making it possible to turn the room in question into its spring version… Oops!

More to come as well, but there isn’t that much left on our list for Story Mode now! :)

Now, before we dive into more upcoming stuff here’s one more thing that’ll go into the patch we’ll release soon(tm)! This guy could be seen in a blog post last week in the shape of a spooky sprite made by Fred, a strange creature found in the bonus Pumpkin Woods map!

The girl cursed into a scarecrow is a collector as well, so here’s her portrait since we’re doing collectors now anyway:

And here we have her beloved father, who at some point in the near future will seek your help in saving his daughter:

Meanwhile, Fred keeps polishing up the last remaining effects and things happening for this patch, as well as sending off a video with instructions to our sound designer! Here’s another sneak peek of that upcoming strange demon creature in the bonus Pumpkin Woods map:

Hello everyone! Have you enjoyed your weekend? It’s time for another week and another meeting, this time discussing the next quest we’ll implement for Story Mode.

As you’ve seen before, Fred has been working on a bug net animation for a quest where you’ll capture butterflies. The person who will give you this quest is Luigi, and one of the rewards will be one of those fertilizers that will help the squiggly plants you’ve seen across the world grow. Today we ironed out some more of those details.

To start off with, the point of the quest is that you’ll get a bug net from Luigi, and use it to capture some rare butterflies found across the world. Turn in three (or four – we haven’t decided the exact number yet) and you’ll get a fertilizer, turn in all of them and you’ll get a special trinket.

At first we weren’t sure whether this quest should be given immediately or if it’ll be unlocked later on in the game. Each of these options come with their own pro’s and cons. The positives of having it unlocked immediately (well, after you finish the trial) is that you’ll be able to capture butterflies as you go on your adventures, giving you something extra to do. On the other hand, unlocking it later on will give you a chance to go back to some places you’ve seen before, especially if you’ve taken notice of the butterflies before and wondered what you could do with them.

In the end we settled for having it unlocked immediately, since the first reward you’ll get for the quest is a fertilizer, and that in its own is a sort of backtracking deal, making both the quest and reward a bit too similar if we went for the second option.

As for the final reward, we decided to go for a trinket that will get you a butterfly follower, sort of like the trinket that gives you a fae follower, but with a butterfly instead. We’re also considering allowing you to pick between a set of different appearances for the butterfly, so that you’ll always be able to pick one that you like best and/or matches your look!

We still don’t know exactly how many butterflies you’ll be able to capture across the world, but we’ll try to spread them out evenly throughout the game. The main thing is that they will all be outdoors (and Luigi will tell you as much), to avoid having you look around in every nook and cranny of every cave and building when you’re about to go looking for that final one!

Next, work on the mansion continues, this time with a dining room, where we can only assume Marino and his family have their supper with esteemed guests to entertain:

Next, another face you’ll find in the Mansion: another maid, polishing some statues in the main hallway!

Next in line in the mansion room creation is the second hallway, which connects the kitchen, dining room and first hallway:

And with that, the mansion is more than halfway done! What remains now is the grand corridor where Marino’s dad hangs out, Marino’s room, the master bedroom and Marino’s mother exotic plant room!

Meanwhile, Fred has been working on a bunch of smaller things, including a couple of the new NPCs, and some secret easter egg stuff I won’t show here, but will leave for you to find out during your adventures in the game!

Now, as is customary after a bigger patch, it’s time for us to take a couple days off to recharge the batteries. We’ll be back at the office on August 3rd, meaning the next blog post will be available here on August 10th, a week after we’ve returned to the office and produced new stuff to show!

Hope you guys are enjoying the summer, I’ll see you then :3